{"id":3162060,"date":"2025-02-26T10:53:27","date_gmt":"2025-02-26T10:53:27","guid":{"rendered":"https:\/\/webalkans.eu\/duke-sfiduar-menyren-se-si-angazhohemi-me-ndertesat-historike\/"},"modified":"2025-02-26T10:53:27","modified_gmt":"2025-02-26T10:53:27","slug":"duke-sfiduar-menyren-se-si-angazhohemi-me-ndertesat-historike","status":"publish","type":"post","link":"https:\/\/webalkans.eu\/sq\/duke-sfiduar-menyren-se-si-angazhohemi-me-ndertesat-historike\/","title":{"rendered":"Duke sfiduar m\u00ebnyr\u00ebn se si angazhohemi me nd\u00ebrtesat historike"},"content":{"rendered":"\nHistoria e projektit Sounding Spomenik (Monument Z\u00ebri)\r\n\r\nI rritur n\u00eb Hungarin\u00eb Jugore n\u00eb mesin e viteve ’80, Laszlo Juhasz, tani president, producent dhe botues i <\/span>Institutit OnRizom<\/span><\/a>, pushimet verore familjare i ka kaluar n\u00eb bregdetin jugosllav.\u00a0<\/span>\u00a0<\/span>\n\nAsokohe nuk e dinte se malet dhe gj\u00ebrat n\u00ebp\u00ebr t\u00eb cilat kalonte me makin\u00eb do t\u00eb b\u00ebheshin qendrore n\u00eb jet\u00ebn e tij profesionale.\u00a0<\/span>\u00a0<\/span>\n\nDuke kaluar me shpejt\u00ebsi n\u00eb fillim t\u00eb viteve 2010, Laszlo dhe Natasha Serec, si shum\u00eb t\u00eb tjer\u00eb, lexuan tituj me fjal\u00eb si \u201cfuturist\u201d, \u201cbrutalist\u201d, \u201cmodernist\u201d, \u201cminimalist\u201d duke marr\u00eb p\u00ebrsip\u00ebr artet bashk\u00ebkohore dhe platformat mediatike. K\u00ebta tituj u shoq\u00ebruan me fotografi t\u00eb vendeve dhe strukturave q\u00eb Laszlo i kishte par\u00eb aq shum\u00eb si f\u00ebmij\u00eb, nga sedilja e pasme e makin\u00ebs s\u00eb familjes s\u00eb tij n\u00eb udh\u00ebtimet e tyre verore n\u00eb bregdetin jugosllav.\u00a0<\/span>\u00a0<\/span>\n\nK\u00ebta tituj t\u00eb fillimit t\u00eb viteve 2010 filluan t\u00eb hedhin drit\u00eb t\u00eb re mbi monumentet e Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore t\u00eb shp\u00ebrndara n\u00ebp\u00ebr vendet e ish-Jugosllavis\u00eb. K\u00ebto struktura ikonike t\u00eb rajonit filluan t\u00eb t\u00ebrheqin interes n\u00eb nivel global. Nj\u00eb moment i till\u00eb u pasua shpejt nga ekspozita e njohur e prodhimit MoMA <\/span>\u201cDrejt nj\u00eb utopie betoni: Arkitektura n\u00eb Jugosllavi, 1948-1980\u201d<\/span><\/a> q\u00eb u hap n\u00eb Nju Jork n\u00eb korrik t\u00eb 2018.<\/span>\r\n\r\n\r\n\r\n\r\n\r\nPas ekspozit\u00ebs, kishte shum\u00eb v\u00ebmendje nga publiku p\u00ebr k\u00ebto monumente, duke rezultuar n\u00eb botimin e shum\u00eb librave fotografik\u00eb mbi k\u00ebt\u00eb tem\u00eb. K\u00ebto botime dokumentuan kryesisht aspektin vizual t\u00eb monumenteve, duke e par\u00eb at\u00eb ose nga pik\u00ebpamja historike ose nga r\u00ebnd\u00ebsia arkitekturore ose shoq\u00ebrore e k\u00ebsaj trash\u00ebgimie t\u00eb pasur dhe shum\u00ebshtresore socialiste.\u00a0<\/span>\u00a0<\/span>\n\nMegjithat\u00eb, themeluesit e OnRizom dhe projektit k\u00ebrkimor <\/span>Sounding Spomenik<\/span><\/a> Natasha Serec dhe Laszlo Juhasz nuk i vizituan k\u00ebto nd\u00ebrtesa n\u00eb vend deri n\u00eb vitin e dyt\u00eb t\u00eb pandemis\u00eb COVID_19, kur bota mori nj\u00eb pushim dhe njer\u00ebzit u rilidh\u00ebn me natyr\u00ebn. Duke qen\u00eb se t\u00eb dy ishin prodhues t\u00eb muzik\u00ebs, ishte e qart\u00eb se ata do t\u00eb ishin t\u00eb interesuar p\u00ebr aspektin e z\u00ebrit t\u00eb k\u00ebtyre strukturave masive dhe komplekse q\u00eb p\u00ebrkujtojn\u00eb Luft\u00ebn e Dyt\u00eb Bot\u00ebrore.\u00a0<\/span>\u00a0<\/span>\n\n\u201c\u00cbsht\u00eb p\u00ebr shkak t\u00eb materialeve nga t\u00eb cilat jan\u00eb b\u00ebr\u00eb: kryesisht beton, mermer, qelq dhe metal, si dhe vendndodhjet e tyre, q\u00eb k\u00ebto nd\u00ebrtesa nxisin interes p\u00ebr t’u par\u00eb nga nj\u00eb aspekt i z\u00ebrit\u201d, <\/span><\/i>thot\u00eb Perec, nj\u00eb nga themeluesit e OnRizom-it dhe projektit hulumtues Sounding Spomenik<\/span>.<\/span>\u00a0<\/span>\n\n\u00a0<\/span>Me kufijt\u00eb e mbyllur gjat\u00eb pandemis\u00eb, n\u00eb fillim, Serec dhe Juhasz vizitonin vet\u00ebm monumentet n\u00eb Slloveni. <\/span>\u201cPas k\u00ebsaj p\u00ebrvoje fillestare, koncepti i Sounding Spomenik lindi pothuajse menj\u00ebher\u00eb: duhet t\u00eb sjellim muzikant\u00eb p\u00ebr t\u00eb luajtur instrumente akustike portative n\u00eb solo brenda k\u00ebtyre strukturave t\u00eb betonit p\u00ebr t\u00eb kapur tingujt me mikrofona dhe pajisje t\u00eb denj\u00eb regjistrimi. Muzika e luajtur \u00ebsht\u00eb vet\u00ebm gjysma e projektit, gjysma tjet\u00ebr \u00ebsht\u00eb nj\u00eb seri regjistrimesh t\u00eb sinqerta t\u00eb tingujve mjedisor\u00eb t\u00eb k\u00ebtyre vendndodhjeve q\u00eb do t\u00eb thot\u00eb regjistrime t\u00eb thjeshta n\u00eb terren pa asnj\u00eb manipulim\u201d<\/span><\/i> thot\u00eb Juhasz p\u00ebr fazat e hershme t\u00eb projektit t\u00eb tyre.\u00a0<\/span>\r\n\r\n\r\n\r\n\r\n\r\nMonumentet e Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore jan\u00eb t\u00eb shp\u00ebrndara n\u00eb t\u00eb gjith\u00eb shtetet e ish-Jugosllavis\u00eb, duke e b\u00ebr\u00eb si hap t\u00eb natyrsh\u00ebm t\u00eb ardhsh\u00ebm p\u00ebr dy studiuesit dhe prodhuesit e muzik\u00ebs t\u00eb duan t\u00eb zgjerojn\u00eb k\u00ebrkimin dhe pun\u00ebn e tyre. Kjo mund\u00ebsi erdhi nga programi i Goethe-s, i financuar nga BE-ja,<\/span> Kultura L\u00ebviz Evrop\u00ebn – Thirrje Mobiliteti p\u00ebr Artist\u00ebt<\/span><\/a>.\u00a0<\/span>\u00a0<\/span>\n\nS\u00eb shpejti u bashkuan me <\/span>Studio6<\/span><\/a>, t\u00eb Serbis\u00eb, kolektiv muzikant\u00ebsh interpretues, kompozitor\u00eb dhe studiuesish, t\u00eb p\u00ebrkushtuar ndaj promovimit t\u00eb muzik\u00ebs bashk\u00ebkohore t\u00eb sotme. Studio6 i priti p\u00ebr rezidenc\u00eb artistike trevje\u00e7are n\u00eb Serbi, gjat\u00eb s\u00eb cil\u00ebs n\u00eb bashk\u00ebpunim me artist\u00eb vendas, arrit\u00ebn t\u00eb hulumtojn\u00eb dhe regjistrojn\u00eb n\u00eb dy monumente t\u00eb projektuara nga Bogdan Bogdanovi\u00e7, n\u00eb Popina dhe \u00c7a\u00e7ak<\/span>.\u00a0<\/span>\u00a0<\/span>\n\nRezidenca 21-ditore e artist\u00ebve n\u00eb Beograd, Serbi, e organizuar nga Studio6 – Kolektivi i Muzik\u00ebs Bashk\u00ebkohore ishte udh\u00ebtimi i par\u00eb m\u00eb i gjat\u00eb k\u00ebrkimor i OnRizom, ku kishin koh\u00eb t\u00eb mjaftueshme p\u00ebr t’u njohur me instrumentist\u00ebt e tyre pjes\u00ebmarr\u00ebse, arkitekt\u00eb vendas, stilist\u00eb dhe ekspert\u00eb t\u00eb fush\u00ebs. P\u00ebrve\u00e7 rrjet\u00ebzimit, hulumtimit, pun\u00ebs n\u00eb terren, post-produksionit dhe prezantimit t\u00eb nj\u00eb mbr\u00ebmjeje t\u00eb projektit p\u00ebrmbyll\u00ebs t\u00eb rezidenc\u00ebs, q\u00ebllimi i tyre kryesor ishte t\u00eb planifikonin dhe zhvillojn\u00eb me kujdes dy sesione regjistrimi n\u00eb dy vende ikonike p\u00ebrkujtimore, t\u00eb dyja t\u00eb dizajnuara nga arkitekti Bogdan Bogdanoviq: n\u00eb Popin\u00eb me violinisten serbe Manja Ristiq dhe n\u00eb \u00c7a\u00e7ak me harpisten serbe Milana Zariq<\/span>.\u00a0<\/span>\n\n \n\n \n\n